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Augenreisen
The studio as a favorite place. A willingness to forgo long journeys. Traveling instead through seeing, thinking, encountering oneself. A gentle way of sensing the world. Loving the small things. The blackbird. The urge to count everything. The fleeting, the transient. Feather-light watercolors fill weighty books.
Companions are welcome; exchange is valuable. Drawing closer, opening up—despite being seen by the camera. Unpretentious, as in his films Nothing Disappears Without a Trace, Understanding, or Nikodem, Daniel Pöhacker also approaches the painter Peter Prandstetter. The state of being an artist.