Kurzfilmprogramm I

HELAHOOP - FACES [MUSIC VIDEO]:
YEAR:2014
LENGTH:3 MINFORMAT:COLOUR, DC VERSION:WITHOUT DIALOGUE

END OF THE FILM:
YEAR:2014
LENGTH:2 MINFORMAT:COLOUR, DC VERSION:WITHOUT DIALOGUE

FINAL SHOT:
YEAR:2015
LENGTH:3 MINFORMAT:COLOUR, DC VERSION:WITHOUT DIALOGUE

MARIEDL:
YEAR:2014
LENGTH:10 MINFORMAT:COLOUR, DC VERSION:ORIGINAL GERMAN VERSION WITH ENGLISH SUBTITLES

SELFIE TEST #1:
YEAR:2018
LENGTH:2 MINFORMAT:B/W, DC VERSION:WITHOUT DIALOGUE

THE OTHER GIRLS:
YEAR:2015
LENGTH:12 MINFORMAT:B/W, DC VERSION:GERMAN ORIGINAL VERSION WITH ENGLISH SUBTITLES

SELFIE TEST #2:
YEAR:2018
LENGTH:2 MINFORMAT:B/W, DC VERSION:SILENT

MY LOCATION IS GOOD, ONLY VERY LIMITED IN TIME:
YEAR:2016
LENGTH:35 MINFORMAT:COLOUR, DC VERSION:ORIGINAL GERMAN VERSION WITH ENGLISH SUBTITLES

In the presence of Sybille Bauer-Zierfuß

Sybille Bauer-Zierfuß' works explore spaces and ways of staging, immersing us in atmospheres and personal life stories. In MARIEDL, she brings her grandmother's harsh childhood to life, while the diary of her deceased father forms the basis of MEIN BEFINDEN IST GUT, NUR ZEITLICH SEHR BEGRENZT. In DIE ÜBRIGEN MÄDCHEN, the story of a rape brings the unrealisable to light. The SELFIE series, on the other hand, plays with the cinematic gaze and breaks with viewing habits. (Bianca Jasmina Rauch/red)