Good News

‘Rarely has anyone shown the terrible regularity of everyday life, the madness of normality, with such consistency, with such stylistic will in film,’ writes Werner Herzog about Seidl's directorial debut. He takes us into the world of newspaper colporteurs, who work for a pittance in unreasonable working conditions, and contrasts this with the living conditions of their customers. A wintry Vienna film that definitely doesn't leave you cold.
(Florian Widegger)