Filme von Claudia Larcher, 2011–2023

Program 1: From Bay to Bark
Points Lines Planes Claudia Larcher, AT 2018; Sound: Constantin Popp. DCP, color, 14 min
#postalps Claudia Larcher, AT 2019. DCP, color, 5 min
Collapsing Mies Claudia Larcher, AT 2020; Music: Alexander J. Eberhard. DCP, color, 7 min
Empty Rooms Claudia Larcher, Constantin Popp, AT 2011. DCP, color, 11 min
Das große Baumstück Claudia Larcher, AT 2023; Sound: Ursula Winterauer. DCP, color, 10 min

Spanning nearly two decades of Larcher’s perspective on the world, this first film program ranges from a fifteen-minute single take of a passing thunderstorm over New York’s Upper Bay to a micro-camera journey through the bark of a tree. *Points Lines Planes* documents the weather-driven transformation of an abandoned harbor area; *#postalps* portrays the alpine adventure landscape as an anti-idyll shaped by climate change; *Collapsing Mies* causes Modernist pavilions to collapse within a rotating image; and *Empty Rooms* traverses the "non-places" of functionalist architecture. As a final chord, *Das große Baumstück* dives into the microcosm of a single tree crown, where roots, fungi, and humus act as creators of worlds in the darkness. (E.F.)

Claudia Larcher in conversation with Michael Loebenstein