Des Teufels Bad

3.8. Kino wie noch nie: In the presence of Veronika Franz and Severin Fiala

Upper Austria 1750: A carp pond reflects the grey of the sky. A deep, dark forest swallows the sunlight. An executed woman is displayed on a hill. As a warning. An omen? Agnes looks at the dead woman with pity. Also with longing, because she feels a stranger in the world of her husband Wolf, into which she has just married. An emotionally cold world full of work, chores and expectations. Agnes withdraws more and more. Her inner prison becomes ever tighter, her melancholy ever more oppressive. An act of violence soon seems to be her only way out.