Kiss Me Deadly
Force of Evil
…All the Marbles
Big Leaguer
Buchpräsentation und Film: The Greatest Mother of ’em All
Q&A
Apache
Vera Cruz
Autumn Leaves
The Last Sunset
4 For Texas
What Ever Happened to Baby Jane?
The Flight of the Phoenix
Hush…Hush, Sweet Charlotte
The Legend of Lylah Clare
The Dirty Dozen
The Killing of Sister George
The Grissom Gang
Ulzana’s Raid
The Longest Yard
Emperor of the North
Twilight’s Last Gleaming
The Frisco Kid
Hustle
The Choirboys
World for Ransom
Ten Seconds to Hell
Kiss Me Deadly
Sodom and Gomorrah
Vera Cruz
The Flight of the Phoenix
Apache
Ulzana’s Raid
Buchpräsentation: Wege (Band 5)
Q&A
Autumn Leaves
The Last Sunset
Too Late the Hero
The Choirboys
…All the Marbles
The Longest Yard
Big Leaguer
What Ever Happened to Baby Jane?
Hush…Hush, Sweet Charlotte
4 For Texas
The Dirty Dozen
The Legend of Lylah Clare
The Killing of Sister George
The Grissom Gang
Emperor of the North
Too Late the Hero
The Frisco Kid
The Big Knife
Twilight’s Last Gleaming
Hustle
Kiss Me Deadly
Sodom and Gomorrah
Ten Seconds to Hell
Force of Evil
The Big Knife
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Filmreihe
Robert Aldrich – Rebel in Hollywood
Robert Aldrich (1918–83) ranks among Hollywood’s greatest filmmakers. Spanning nearly three decades and 30 films, his career as a director was marked by global successes, including such renowned titles as “Vera Cruz” (1954), “What Ever Happened to Baby Jane?” (1962), “The Dirty Dozen” (1967), and “The Longest Yard” (1974). Along the way, he redefined entire genres with masterpieces like the apocalyptic film noir “Kiss Me Deadly” (1955) and the disillusioned late-period Western “Ulzana’s Raid” (1972)—achievements for which he was celebrated by critics, albeit often belatedly. In fact, after only a handful of films, Aldrich had already been hailed in France by the figures who would soon launch the “Nouvelle Vague”—including Claude Chabrol, François Truffaut, and Jean-Luc Godard, all of whom were then working as critics—as a prime example of their “politique des auteurs”. Even the often-rival publications “Cahiers du cinéma” and “Positif” found common ground when they declared 1955 the “Year of Aldrich.”
This retrospective of Robert Aldrich’s work is nearly complete—two films cannot be screened at this time due to rights issues—and, with few exceptions, presents his body of work (including a key project from his time as an assistant director) in its original format, using vintage 35mm prints. We extend our gratitude to the fellow film archives and collectors who made this possible. A joint retrospective by the Viennale and the Austrian Film Museum
During the Viennale—from October 23 to November 4, 2026—special ticketing arrangements will apply at the Film Museum.
All movies
Kiss Me Deadly
Force of Evil
...All the Marbles
Big Leaguer
Buchpräsentation und Film: The Greatest Mother of 'em All
Buchpräsentation: Wege (Band 5)
Apache
Vera Cruz
Autumn Leaves
The Last Sunset
4 For Texas
What Ever Happened to Baby Jane?
The Flight of the Phoenix
Hush...Hush, Sweet Charlotte
The Legend of Lylah Clare
The Dirty Dozen
The Killing of Sister George
The Grissom Gang
Ulzana's Raid
The Longest Yard
Emperor of the North
Twilight's Last Gleaming
The Frisco Kid
Hustle
The Choirboys
World for Ransom
Ten Seconds to Hell
Sodom and Gomorrah
Too Late the Hero
