Year of the Horse

Concerts, backstage moments and Super 8 fragments form an associative portrait of Neil Young and Crazy Horse on tour. Jarmusch dispenses with a chronological narrative and instead works with a rhythmic, montage-like structure. Booming live sequences meet sober bus conversations. Image and sound create an immediate closeness to the band's practice and explore the relationship between myth, work and collective energy in live music.
(Otto Römisch)