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Medium Cool
Robert Forster plays a young cameraman who tries to maintain his professional distance when he becomes embroiled in the events surrounding the chaotic Democratic Party Convention in Chicago in 1968. In his daring directorial debut, camera virtuoso Haskell Wexler is less interested in the story than in the fragile dividing line between ‘reality’ and ‘fiction’ – two categories that he allows to collapse into one another here. Medium Cool develops staged and improvised scenes amid the escalating events: when the police use tear gas against the demonstrators at the party convention, a crew member can be heard shouting ‘Look out, Haskell, it's real!’ from off-screen amid the commotion. A fascinating, McLuhanesque essay on media ethics, a film about the production of ‘reality’ in a highly improbable form: it is abruptly torn from the womb of its creative process. (C.H.)
Introduction Christoph Huber
Courtesy Academy Film Archive