Lola (1981)

21.8. Kino wie noch nie: In presence of Xaver Schwarzenberger (camera)

Germany in the 1950s. The economic miracle is flourishing. Even in the small Bavarian town of Coburg, local political and capitalist leaders have made themselves comfortable in the interplay of corruption and profit. The big men prefer to do business in the local brothel, where Marie-Luise, alias Lola, wraps them around her finger night after night ... The repressive zeitgeist of the Adenauer years lurks beneath the bright candy colours of this de facto comedy. (Florian Widegger)