Living Collection

Four cinematic searches for traces that read and interpret the signs of war: Elke Groen's TITO-MATERIAL is based on a very specific film find from a destroyed cinema in Mostar; the damaged reel shows weathered images of the former marshal, which are given a new form of materiality by means of reconstruction. In her essay, Nina Kusturica reconstructs memories of her escape to Austria and sets off in search of a friend from her childhood. In CITY AFTER THE WAR, the inhabitants of Sarajevo describe the meandering paths of their everyday lives, which are characterised by a radical reorganisation of conditions - and a never-ending struggle for survival, while Selma Doborac's film deals with the non-transferability of war.