Lili Marleen

The most expensive German film since 1945: a disturbing and unsettling experience. An exposé of the Nazi dream factory and its dismantling, or glorifying Nazi pop culture in the guise of a ‘German Hollywood film’? ‘I wanted to do something,’ said Fassbinder, "that no one had done before: to make the Third Reich transparent through the details of its self-representation. ‘ Fassbinder as a neo-Ufa director: sentimentality with the smell of death, ’Wunschkonzert reloaded".
_(Klaus Davidowicz)

5:30 p.m.: With an introduction by Klaus Davidowicz, followed bya discussion with cameraman Xaver Schwarzenberger