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La Glace à trois faces / Sa Tête
Jean Rouch's summary of La Glace à trois faces: ‘Three women love the same man. He loves none of them, only his Bugatti. He gets his car and drives towards his destiny.’ The director translates the subject into a breathtaking cinematic construction: La Glace à trois faces is the culmination of the modern cinema à la Epstein anticipated in Six et demi, onze (which only returned in the 1960s with Resnais and Antonioni, in different and significantly less narrative forms). The man's frenzy, depicted with bold editing and variations in speed, is contrasted with the memories of his lover, who sketches three completely different descriptions of the same person. (C.H.) This is accompanied by Epstein's last silent short film, which concludes his experimental phase. Sa Tête is about false accusations: the only son of a widow returns to his hometown and is arrested by the police, who accuse him of murdering a banker. (E.C.)
Live music: Electric Delights (Billy Roisz, Karolina Preuschl, Isabella Forciniti) on 23 October 2025
On piano: Elaine Brennan on 14 November 2025
Translated with DeepL.com (free version)