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EVERYTHING FOR SALE
In January 1967, actor Zbigniew Cybulski dies in a tragic accident. Wajda responds to the death of his friend with EVERYTHING FOR SALE, arguably his most personal film. In a self-reflective narrative about finitude, memory and filmmaking itself, he weaves fiction and reality into an open portrait of Polish cinema in the 1960s. Andrzej Łapicki acts as Wajda's alter ego, searching in vain with his crew for the lead actor, who never appears on set. This absence creates a vacuum that drives the film to become a kaleidoscopic reflection on the loss of a friend, the relationship between life and film, and the boundaries between reality, legend and narrative.
(Florian Widegger)