C’e Ancora Domani

Paola Cortellesi's directorial debut even outperformed last year's US blockbuster named after a toy doll in Italy - not only at the cinema box office, but above all in its political understanding of feminism: after the end of the Second World War, Delia lives with her family in a basement flat with more than her fair share of misery. Abused and beaten by her husband, one day she receives a letter that gives her and millions of other women in the country hope for change. (Florian Widegger)